Janice Chandler-Eteme

Soprano

Janice Chandler-Eteme soon premieres Dr. Adolphus Hailstork’s newest work,  JFK:  The Last Speech with Peter Oundjian at the Colorado Music Festival and with the Indianapolis and Dallas Symphonies.   The celebrated American soprano’s astonishing range of concert literature includes Strauss’ Four Last Songs (Reading, Baltimore, Syracuse, Harrisburg and Utah Symphonies; Florida Orchestra, Fort Wayne Philharmonic; Grand Teton and Texas Music Festivals); Philip Glass’ Passion of Ramakrishna (Pacific Symphony); Mahler’s Second Symphony (San Diego, Baltimore, Nashville, Cincinnati, Colorado and Pacific Symphonies; Rome’s Santa Cecilia Orchestra); Haydn’s Die Schöpfung (Atlanta, Pittsburgh and Cincinnati Symphonies); Mendelssohn’s Lobgesang Symphony (San Diego Symphony),  Lokumbe’s Dear Mrs. Parks (Detroit Symphony) and Can You Hear God Crying? (Chamber Orchestra of Philadelphia); the Brahms Requiem (San Diego, Baltimore, Colorado Symphonies); Mahler’s Eighth Symphony (Milwaukee, Grand Rapids, American and Montreal Symphonies); Beethoven #9 (Cleveland Orchestra, New Jersey and Houston Symphonies), Barber’s Knoxville:  Summer of 1915 (Festival Miami, Baltimore and Annapolis Symphonies), Tippett’s A Child of Our Time (Dallas and Santa Rosa Symphonies) and Britten’s War Requiem (Lincoln and Santa Rosa Symphonies and Evansville Philharmonic).  She has performed Gershwin’s Porgy and Bess, in staged performances of the complete work at the Opera de Lyon and Dallas Opera, the Bennett concert version under Jeffrey Tyzik with the Milwaukee, Seattle, Detroit and Vancouver Symphonies, Florida Orchestra and at the Vail Music Festival, and in Andrew Litton’s version with the composer conducting the Colorado Symphony. Other forays into operatic literature have included a first-ever Donna Elvira in Mozart’s Don Giovanni with the National Philharmonic.

Ms. Chandler-Eteme first came to international prominence as a favorite of  Robert Shaw and has in the years since collaborated with many renowned and respected conductors, among them  Marin Alsop, James Conlon, Andreas Delfs, Christoph von Dohnányi, Charles Dutoit, Claus Peter Flor, Hans Graf, Jeffrey Kahane, Carlos Kalmar, Raymond Leppard, Jahja Ling, Andrew Litton, Keith Lockhart, David Lockington, Stuart Malina, Peter Oundjian, Christof Perick, Esa-Pekka Salonen, Stefan Sanderling, Vladimir Spivakov, Yuri Temirkanov, Edo de Waart and Hugh Wolff.  She has been guest soloist with the Los Angeles and Saint Paul Chamber Orchestras; Boston, NHK (Japan),  Phoenix and Kansas City Symphonies; Los Angeles, Hong Kong and Rochester Philharmonics; and Philadelphia Orchestra.  Festival invitations include Bard, Grant Park, Aspen, Prague Autumn and Blossom.  Ms. Chandler-Eteme’s recordings include an inspirational solo disc (Devotions), and the Dvořák Te Deum with Zdeněk Mácal and the New Jersey Symphony.  She holds degrees from Oakwood College and Indiana University and has studied with Virginia Zeani, Margaret Harshaw, Ginger Beazley and Todd Duncan.