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01
Haydn & Mahler
Thursday, October 2
Morton H. Meyerson Symphony Center
Mahler’s sunny Fourth, whose ethereal last movement describes a child’s vision of heavenly life— overflowing bowls of tasty food, angels, saints and St. Cecilia and her kindred playing music to accompany the dancing of 11,000 virgins — radiantly portrayed by much-sought-after Metropolitan Opera soprano Erin Morley.
Beethoven & Tchaikovsky
Saturday, October 4
Morton H. Meyerson Symphony Center
Characterized by ravishingly beautiful passages, graceful melodies and deeply felt passion, Tchaikovsky’s masterpiece has spoken to the heart of generations of adoring audiences.
Haydn & Mahler
Sunday, October 5
Morton H. Meyerson Symphony Center
Mahler’s sunny Fourth, whose ethereal last movement describes a child’s vision of heavenly life— overflowing bowls of tasty food, angels, saints and St. Cecilia and her kindred playing music to accompany the dancing of 11,000 virgins — radiantly portrayed by much-sought-after Metropolitan Opera soprano Erin Morley.
Respighi’s Fountains of Rome
Thursday, October 9
Morton H. Meyerson Symphony Center
A double helping of Respighi awaits you with music by this orchestrator extraordinaire. In The Fountains of Rome, he focuses on four magnificent aquatic landmarks “contemplated at the hour… in which their beauty appears most impressive to the observer.”
Respighi’s Fountains of Rome
Saturday, October 11
Morton H. Meyerson Symphony Center
A double helping of Respighi awaits you with music by this orchestrator extraordinaire. In The Fountains of Rome, he focuses on four magnificent aquatic landmarks “contemplated at the hour… in which their beauty appears most impressive to the observer.”
Respighi’s Fountains of Rome
Sunday, October 12
Morton H. Meyerson Symphony Center
A double helping of Respighi awaits you with music by this orchestrator extraordinaire. In The Fountains of Rome, he focuses on four magnificent aquatic landmarks “contemplated at the hour… in which their beauty appears most impressive to the observer.”
Gershwin’s Rhapsody in Blue
Thursday, October 16
Morton H. Meyerson Symphony Center
Headlining this all-American program is the red, white, and blue Rhapsody in Blue that Gershwin described as a sort of “musical kaleidoscope of America.”
Gershwin’s Rhapsody in Blue
Friday, October 17
Morton H. Meyerson Symphony Center
Headlining this all-American program is the red, white, and blue Rhapsody in Blue that Gershwin described as a sort of “musical kaleidoscope of America.”
Gershwin’s Rhapsody in Blue
Saturday, October 18
Morton H. Meyerson Symphony Center
Headlining this all-American program is the red, white, and blue Rhapsody in Blue that Gershwin described as a sort of “musical kaleidoscope of America.”
Schubert’s Winterreise with Goerne & Trifonov
Monday, October 27
Morton H. Meyerson Symphony Center
For Schubert, writing a song was not just putting the words to music, but rather translating the poetry into music. And never more so than in his most well-known cycle of 24 songs, Winterreise (Winter’s Journey), set upon poems by Wilhelm Müller.