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Alsop Conducts Brahms
Friday, November 7
Morton H. Meyerson Symphony Center
Celebrated conductor Marin Alsop leads the DSO in the tale of the notorious libertine, Don Juan. But the brilliant score by the then-just-24-year-old Richard Strauss shows us a different man…one who is world-and-pleasure-weary, bored with searching for the ideal woman.
Alsop Conducts Brahms
Saturday, November 8
Morton H. Meyerson Symphony Center
Celebrated conductor Marin Alsop leads the DSO in the tale of the notorious libertine, Don Juan. But the brilliant score by the then-just-24-year-old Richard Strauss shows us a different man…one who is world-and-pleasure-weary, bored with searching for the ideal woman.
Alsop Conducts Brahms
Sunday, November 9
Morton H. Meyerson Symphony Center
Celebrated conductor Marin Alsop leads the DSO in the tale of the notorious libertine, Don Juan. But the brilliant score by the then-just-24-year-old Richard Strauss shows us a different man…one who is world-and-pleasure-weary, bored with searching for the ideal woman.
Beethoven, Mozart and New Music
Thursday, November 20
Morton H. Meyerson Symphony Center
One of Mozart’s three remarkable final symphonies — his “Triple Crown” — the 40th speaks in his most personal voice. This utterance of extreme urgency is full of agitation with only a slim respite in the exquisite, spiritual slow movement.
Beethoven, Mozart and New Music
Friday, November 21
Morton H. Meyerson Symphony Center
One of Mozart’s three remarkable final symphonies — his “Triple Crown” — the 40th speaks in his most personal voice. This utterance of extreme urgency is full of agitation with only a slim respite in the exquisite, spiritual slow movement.
Beethoven, Mozart and New Music
Saturday, November 22
Morton H. Meyerson Symphony Center
One of Mozart’s three remarkable final symphonies — his “Triple Crown” — the 40th speaks in his most personal voice. This utterance of extreme urgency is full of agitation with only a slim respite in the exquisite, spiritual slow movement.
Ravel’s Rapsodie Espagnole
Friday, November 28
Morton H. Meyerson Symphony Center
Piano virtuoso Javier Perianes, praised by Gramophone for his “infallible ear for style, atmosphere and colour” returns to perform Nights in the Gardens of Spain, evoking Falla’s beloved Andalusia with its mysterious, fragrant beauty, strumming guitars, flamenco rhythms and dancing melodies. Our rich, Spanish-flavored concert culminates in Rapsodie Espagnole, Ravel’s orchestral masterpiece, showing him as a master of instrumental color. Its four sections are vivid echoes of the sounds and dances of Spain, and its final movement, the sultry “Feria” (“The Fair”), punctuated by castanets, is ablaze in a riot of colors. In between, it’s the zesty suite from The Three-Cornered Hat, replete with sounds of stamping feet, timpani drumming and castanets clicking out infectious rhythms.
Ravel’s Rapsodie Espagnole
Saturday, November 29
Morton H. Meyerson Symphony Center
Piano virtuoso Javier Perianes, praised by Gramophone for his “infallible ear for style, atmosphere and colour” returns to perform Nights in the Gardens of Spain, evoking Falla’s beloved Andalusia with its mysterious, fragrant beauty, strumming guitars, flamenco rhythms and dancing melodies. Our rich, Spanish-flavored concert culminates in Rapsodie Espagnole, Ravel’s orchestral masterpiece, showing him as a master of instrumental color. Its four sections are vivid echoes of the sounds and dances of Spain, and its final movement, the sultry “Feria” (“The Fair”), punctuated by castanets, is ablaze in a riot of colors. In between, it’s the zesty suite from The Three-Cornered Hat, replete with sounds of stamping feet, timpani drumming and castanets clicking out infectious rhythms.
Ravel’s Rapsodie Espagnole
Sunday, November 30
Morton H. Meyerson Symphony Center
Piano virtuoso Javier Perianes, praised by Gramophone for his “infallible ear for style, atmosphere and colour” returns to perform Nights in the Gardens of Spain, evoking Falla’s beloved Andalusia with its mysterious, fragrant beauty, strumming guitars, flamenco rhythms and dancing melodies. Our rich, Spanish-flavored concert culminates in Rapsodie Espagnole, Ravel’s orchestral masterpiece, showing him as a master of instrumental color. Its four sections are vivid echoes of the sounds and dances of Spain, and its final movement, the sultry “Feria” (“The Fair”), punctuated by castanets, is ablaze in a riot of colors. In between, it’s the zesty suite from The Three-Cornered Hat, replete with sounds of stamping feet, timpani drumming and castanets clicking out infectious rhythms.