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VASILY PETRENKO conducts
DENIS KOZHUKHIN piano
DALLAS SYMPHONY CHILDREN’S CHORUS
ELLIE LIN artistic director of DSCC

Riveting. Virtuosic. Diabolical. Daredevil. Terrifying. Words that describe both Prokofiev’s Second Piano Concerto and Walton’s first symphony. The critic Harold Schonberg laid out the requirements for playing Prokofiev’s landmark work: “Steel fingers, steel biceps, steel triceps — a tonal steel trust.” (“…feats of prestidigitation from Denis Kozhukhin… ferocious energy… the octave leaps cast off as dizzyingly as any high-wire act” [BachTrack]). Meanwhile, Walton’s work premiered to critical acclaim for its commanding artistry and unflinching use of the power of the orchestra. Hang on to your seats for this one!