{"id":8229,"date":"2022-03-04T12:42:54","date_gmt":"2022-03-04T18:42:54","guid":{"rendered":"https:\/\/www.dallassymphony.org\/?post_type=dso_prod_season&#038;p=8229"},"modified":"2022-09-28T11:07:41","modified_gmt":"2022-09-28T16:07:41","slug":"cherry-rhodes-gould-family-organ-recital-series","status":"publish","type":"dso_prod_season","link":"https:\/\/www.dallassymphony.org\/es\/productions\/cherry-rhodes-gould-family-organ-recital-series\/","title":{"rendered":"Cherry Rhodes | Serie de recitales de \u00f3rgano de la familia Gould"},"content":{"rendered":"<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<p><strong>CHERRY RHODES<\/strong> \u00f3rgano<\/p>\n\n\n\n<p><strong>BACH<\/strong> Pr\u00e4ludium und Fuge e-moll<br><strong>WILLIAM GRANT STILL<\/strong> <em>Reverie<\/em><br><strong>JEAN GUILLOU<\/strong> <em>Ballade Ossianique<\/em> N\u00ba 2, \"Los cantos de Selma\"<br><strong>FR. JOSEPH WALTER<\/strong> Coral, Diferencias y Glosas en <em>Puer Natus en Bel\u00e9n<\/em><br><strong>LOUIS VIERNE <\/strong>Pi\u00e8ces de fantasie, Suite n\u00ba 2, \"Clair de lune\"<br><strong>MAX REGER<\/strong> Fantasie und Fuge d-moll<\/p>\n\n\n\n<p>Cherry Rhodes es la primera estadounidense en ganar un concurso internacional de \u00f3rgano (Munich). Ha realizado numerosas giras por las principales capitales musicales de Am\u00e9rica, Europa y Asia con recitales en catedrales, iglesias y salas de concierto de renombre mundial, como Notre Dame, Royal Festival Hall (Londres), International Performing Arts Center (Mosc\u00fa), Walt Disney Concert Hall, Lincoln Center y Kennedy Center. Vuelve al Meyerson Symphony Center despu\u00e9s de haber actuado aqu\u00ed por \u00faltima vez en 1993.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Gould-Family-Logo-Black-trans-bkgd.png\" alt=\"Serie de Recitales de \u00d3rgano de la Familia Gould\" class=\"wp-image-7738\" width=\"225\" height=\"49\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Gould-Family-Logo-Black-trans-bkgd.png 900w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Gould-Family-Logo-Black-trans-bkgd-300x65.png 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Gould-Family-Logo-Black-trans-bkgd-768x167.png 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Gould-Family-Logo-Black-trans-bkgd-18x4.png 18w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n<div class=\"container\">\n    <div class=\"row\">\n        <div class=\"col-10\">\n            <div class=\"share d-flex align-items-center\">\n                <p class=\"mb-0 serif__light-16\">COMPARTIR<\/p><div data-network=\"facebook\" class=\"st-custom-button facebook\" data-title=\"&quot;Cherry\" rhodes | gould family organ recital series&quot; data-description=\"&quot;Cherry\" is the first american to win an international competition (munich). she has toured extensively through major music capitals of america, europe and asia with recitals in world-renowned cathedrals, churches concert halls including notre dame, royal festival hall (london), performing arts center (moscow), walt disney hall, lincoln kennedy center. returns meyerson symphony after having last performed here 1993.&quot; data-message =\"&quot;Cherry\" 1993.\r\n\r\nhttps:>Facebook<span class=\"count\"><\/span><\/div>            <\/div>\n        <\/div>\n    <\/div>\n\n<\/div>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n<div class=\"edp-musician-grid m-spacer grad-to-right\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-12\">\n\t\t\t\t<h1><\/h1>\n\t\t\t\t<h2><\/h2>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-lg-6\">\n\t<div class=\"edp__musician-card\">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"262\" height=\"262\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-262x262.jpg\" class=\"attachment-262x262 size-262x262 wp-post-image\" alt=\"Cherry Rhodes\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-262x262.jpg 262w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-300x300.jpg 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-1024x1024.jpg 1024w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-150x150.jpg 150w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-768x768.jpg 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-12x12.jpg 12w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-350x350.jpg 350w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1-445x445.jpg 445w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2021\/04\/Cherry-Rhodes-1200x1200-1.jpg 1200w\" sizes=\"auto, (max-width: 262px) 100vw, 262px\" \/>\t\t<div class=\"content__wrapper\">\n\t\t\t<h4>Cherry Rhodes<\/h4>\n\n\t\t\t<p>\u00d3rgano<\/p>\n\n                            <a class=\"a-hover\" href=\"https:\/\/www.dallassymphony.org\/es\/people\/cherry-rhodes\/\">Leer m\u00e1s<\/a>\n            \t\t<\/div>\n\t<\/div>\n<\/div>\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" id=\"program\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"dso__accordion m-spacer\">\n    <div class=\"container\">\n        <div class=\"row\">\n            <div class=\"col-lg-12\">\n                <div class=\"accordion__intro-wrapper\">\n                    <h1>Notas del programa <\/h1>\n                    <p>por Ren\u00e9 Spencer Saller<\/p>\n                <\/div>\n            <\/div>\n        <\/div>\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-md-10 offset-md-1\">\n\t\t\t\t<div class=\"accordion\" id=\"accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t\t\t\t<div class=\"card\">\n\t<button id=\"heading50b794c7173c5a155247dc54f5c4801c\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapse50b794c7173c5a155247dc54f5c4801c\" aria-expanded=\"false\" aria-controls=\"collapse50b794c7173c5a155247dc54f5c4801c\">\n\t\tJohann Sebastian Bach (1685-1750): Pr\u00e4ludium und Fuge in E Minor, BWV 548\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapse50b794c7173c5a155247dc54f5c4801c\" class=\"collapse\" aria-labelledby=\"heading50b794c7173c5a155247dc54f5c4801c\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<p><span id=\"page3R_mcid4\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Hu\u00e9rfano a los 10 a\u00f1os,<\/span> <span dir=\"ltr\" role=\"presentation\">Bach<\/span> <span dir=\"ltr\" role=\"presentation\">se mud\u00f3 con su hermano mayor Johann Christoph, un<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">organista de la iglesia de San Miguel de Ohrdruf<\/span><span dir=\"ltr\" role=\"presentation\">una peque\u00f1a ciudad en el estado alem\u00e1n de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Turingia<\/span><span dir=\"ltr\" role=\"presentation\">. El joven Johann Sebastian estudiaba con rapidez. Antes de salir de la adolescencia,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">era<\/span> <span dir=\"ltr\" role=\"presentation\">en la demanda<\/span> <span dir=\"ltr\" role=\"presentation\">como profesional o<\/span><span dir=\"ltr\" role=\"presentation\">rganista<\/span><span dir=\"ltr\" role=\"presentation\">. Dentro de unos a\u00f1os<\/span><span dir=\"ltr\" role=\"presentation\">Fue el principal<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">organista de su<\/span> <span dir=\"ltr\" role=\"presentation\">edad<\/span><span dir=\"ltr\" role=\"presentation\">. Seg\u00fan todos los indicios, era un extraordinario virtuoso,<\/span> <span dir=\"ltr\" role=\"presentation\">wowing<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">con sus r\u00e1pidos pasos y sus \u00e1giles pies, pero tambi\u00e9n era un experto en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">la mec\u00e1nica del instrumento. A menudo se<\/span> <span dir=\"ltr\" role=\"presentation\">pidi\u00f3 que se probaran nuevos \u00f3rganos y se afinaran<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">de la ac\u00fastica, y se interes\u00f3 de forma obsesiva por la ac\u00fastica.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">propiedades de las salas e iglesias<\/span> <span dir=\"ltr\" role=\"presentation\">que albergaba los instrumentos<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span><\/span><\/p>\n<p><span id=\"page3R_mcid5\" class=\"markedContent\"><\/span><span id=\"page3R_mcid6\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Aunque el establecimiento de<\/span> <span dir=\"ltr\" role=\"presentation\">firme<\/span> <span dir=\"ltr\" role=\"presentation\">fechas es a menudo imposible, Bach proba<\/span><span dir=\"ltr\" role=\"presentation\">bly compuesto la mayor\u00eda<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">de sus principales obras para \u00f3rgano entre 1708 y 1717, cuando<\/span> <span dir=\"ltr\" role=\"presentation\">organista de la corte para<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Duques Wilhelm Ernst<\/span> <span dir=\"ltr\" role=\"presentation\">y Ernst August<\/span> <span dir=\"ltr\" role=\"presentation\">en Weimar<\/span><span dir=\"ltr\" role=\"presentation\">. Durante esos a\u00f1os<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">producido<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el<\/span> <em><span dir=\"ltr\" role=\"presentation\">Orgelbuchlein<\/span><\/em> <span dir=\"ltr\" role=\"presentation\">(<\/span><span dir=\"ltr\" role=\"presentation\">El peque\u00f1o libro del \u00f3rgano<\/span><span dir=\"ltr\" role=\"presentation\">); borradores de trabajo del \"Gran<\/span> <span dir=\"ltr\" role=\"presentation\">18<\/span><span dir=\"ltr\" role=\"presentation\">\"<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Chor<\/span><span dir=\"ltr\" role=\"presentation\">ales; la mayor\u00eda de sus<\/span> <span dir=\"ltr\" role=\"presentation\">lo m\u00e1s fino<\/span> <span dir=\"ltr\" role=\"presentation\">sobreviviendo a<\/span> <span dir=\"ltr\" role=\"presentation\">preludios y fugas; y un sinf\u00edn de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">transcripciones de conciertos de Vivaldi.<\/span><\/span><\/p>\n<p><span id=\"page3R_mcid6\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Su Preludio y Fuga en Mi Menor parece<\/span><span dir=\"ltr\" role=\"presentation\">s<\/span> <span dir=\"ltr\" role=\"presentation\">que se complet\u00f3 varios a\u00f1os despu\u00e9s,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">sin embargo, muy probablemente entre 1727 y 1736, cuando<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">trabajaba en Leipzig.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Algo inusual para Bach, la copia justa aut\u00f3grafa de la partitura todav\u00eda existe,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">aunque la letra cambia a la de un estudiante<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">copista 22 medidas en el<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">fuga.<\/span><\/span><\/p>\n<p><span id=\"page3R_mcid6\" class=\"markedContent\"><strong><span dir=\"ltr\" role=\"presentation\">Una escucha m\u00e1s atenta<\/span><\/strong><\/span><span id=\"page3R_mcid7\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Clasificada por Franz Liszt como una de las seis obras de Bach<\/span> <span dir=\"ltr\" role=\"presentation\">las mejores obras de su g\u00e9nero, BWV 548<\/span> <span dir=\"ltr\" role=\"presentation\">es un<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">clase magistral de escritura de \u00f3rgano.<\/span> <span dir=\"ltr\" role=\"presentation\">El preludio es a la vez<\/span> <span dir=\"ltr\" role=\"presentation\">elaborar<\/span> <span dir=\"ltr\" role=\"presentation\">en su detalle y<\/span> <span dir=\"ltr\" role=\"presentation\">gran<\/span> <span dir=\"ltr\" role=\"presentation\">en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su alcance.<\/span> <span dir=\"ltr\" role=\"presentation\">Asimismo, un<\/span><span dir=\"ltr\" role=\"presentation\">n 231 compases, la fuga es una de<\/span> <span dir=\"ltr\" role=\"presentation\">Bach's<\/span> <span dir=\"ltr\" role=\"presentation\">m\u00e1s intrincado<\/span> <span dir=\"ltr\" role=\"presentation\">y<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">monumental<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">El apodo de la obra, \"el Wedg<\/span><span dir=\"ltr\" role=\"presentation\">e\", se refiere a la primera mitad de la fuga<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">tema: a medida que la idea se desarrolla, siguiendo un patr\u00f3n caracter\u00edstico de descenso<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">crom\u00e1tica<\/span> <span dir=\"ltr\" role=\"presentation\">cuartos<\/span><span dir=\"ltr\" role=\"presentation\">Bach parece crear una especie de \"cu\u00f1a\" musical contra el hogar<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">llave, chocando con<\/span> <span dir=\"ltr\" role=\"presentation\">it<\/span> <span dir=\"ltr\" role=\"presentation\">para crear una mayor armon\u00eda<\/span> <span dir=\"ltr\" role=\"presentation\">espacio<\/span><span dir=\"ltr\" role=\"presentation\">. La fuga se organiza en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">tres partes, pero la tercera es una nota<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">para<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">nota la repetici\u00f3n de la primera. La secci\u00f3n central<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">contiene la mayor\u00eda de los<\/span> <span dir=\"ltr\" role=\"presentation\">desalentador<\/span> <span dir=\"ltr\" role=\"presentation\">toccata<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">como el trabajo de paso.<\/span><\/span><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><div class=\"card\">\n\t<button id=\"heading355af77c372c552a39635deda3ae5dea\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapse355af77c372c552a39635deda3ae5dea\" aria-expanded=\"false\" aria-controls=\"collapse355af77c372c552a39635deda3ae5dea\">\n\t\tWilliam Grant Still (1895-1978): Reverie\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapse355af77c372c552a39635deda3ae5dea\" class=\"collapse\" aria-labelledby=\"heading355af77c372c552a39635deda3ae5dea\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<div class=\"page\" role=\"region\" data-page-number=\"1\" aria-label=\"P\u00e1gina 1\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page3R_mcid10\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Apodado el \"decano de los africanos<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">Ame<\/span><span dir=\"ltr\" role=\"presentation\">ricanos\", Still<\/span> <span dir=\"ltr\" role=\"presentation\">escribi\u00f3<\/span> <span dir=\"ltr\" role=\"presentation\">m\u00e1s de 150<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">obras, incluyendo ocho \u00f3peras y cinco sinfon\u00edas. Fue el primer estadounidense negro<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">componer<\/span> <span dir=\"ltr\" role=\"presentation\">una sinfon\u00eda que fue interpretada por una gran orquesta, y la primera en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">dirigir una gran orquesta. En 1949, su \u00f3pera sobre<\/span><span dir=\"ltr\" role=\"presentation\">t Hait\u00ed,<\/span> <em><span dir=\"ltr\" role=\"presentation\">Isla Problem\u00e1tica<\/span><\/em><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">fue<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">producido por la \u00d3pera de Nueva York<\/span><span dir=\"ltr\" role=\"presentation\">-<\/span><span dir=\"ltr\" role=\"presentation\">otra primicia hist\u00f3rica.<\/span><\/span><span id=\"page3R_mcid11\" class=\"markedContent\"><\/span><\/p>\n<div class=\"endOfContent active\"><\/div>\n<\/div>\n<\/div>\n<div class=\"page\" role=\"region\" data-page-number=\"2\" aria-label=\"P\u00e1gina 2\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page25R_mcid0\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Still naci\u00f3 en Woodville, Mississippi, en la universidad<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">profesores educados. Su padre, el<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">director de la banda del pueblo, muri\u00f3 cuando \u00e9l ten\u00eda tres meses. \u00c9l y su madre se mudaron<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Little Rock, Arkansas, donde se volvi\u00f3 a casar. Comenz\u00f3 a tomar clases de viol\u00edn a los 14 a\u00f1os<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">y aprendi\u00f3 por su cuenta viola, violonchelo, contrabajo, clarinete, oboe y saxof\u00f3n. En 1911<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Se matricul\u00f3 en el Wilberforce College de Ohio, donde dirigi\u00f3 la banda. Sus estudios<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">en el Conservatorio de Oberlin o<\/span><span dir=\"ltr\" role=\"presentation\">f La m\u00fasica se vio interrumpida por una temporada en el<\/span> <span dir=\"ltr\" role=\"presentation\">La Marina.<\/span> <span dir=\"ltr\" role=\"presentation\">Despu\u00e9s de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">completando su servicio, \u00e9l<\/span> <span dir=\"ltr\" role=\"presentation\">toc\u00f3 como acompa\u00f1ante para el blues<\/span> <span dir=\"ltr\" role=\"presentation\">leyenda<\/span> <span dir=\"ltr\" role=\"presentation\">W.C. Handy, que<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">le llev\u00f3 a Memphis y luego a Nueva York, donde se convirti\u00f3 en obo\u00edsta en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">El pozo de Eubie Blake a<\/span><span dir=\"ltr\" role=\"presentation\">nd hizo arreglos para orquestas de teatro y jazz y blues<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">artistas. Tambi\u00e9n estudi\u00f3 con el influyente atonalista Edgard Var\u00e8se.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page25R_mcid1\" class=\"markedContent\"><\/span><span id=\"page25R_mcid2\" class=\"markedContent\"><br role=\"presentation\" \/><em><span dir=\"ltr\" role=\"presentation\">Reverie<\/span><\/em> <span dir=\"ltr\" role=\"presentation\">fue un encargo de los sindicatos de Long Beach, Los \u00c1ngeles y Pasadena y del Valle<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Distritos Cap\u00edtulos del Gremio Americano<\/span> <span dir=\"ltr\" role=\"presentation\">de organistas en la celebraci\u00f3n de la A.G.O.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Convenci\u00f3n Nacional 2 de julio<\/span><span dir=\"ltr\" role=\"presentation\">-<\/span><span dir=\"ltr\" role=\"presentation\">6, 1962.<\/span> <span dir=\"ltr\" role=\"presentation\">Alrededor de cuatro<\/span> <span dir=\"ltr\" role=\"presentation\">minutos de duraci\u00f3n, la pieza mezcla<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">varios musicales aparentemente incompatibles<\/span> <span dir=\"ltr\" role=\"presentation\">frases hechas<\/span> <span dir=\"ltr\" role=\"presentation\">en un lenguaje original coherente<\/span><span dir=\"ltr\" role=\"presentation\">e<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">La melod\u00eda de Still<\/span><span dir=\"ltr\" role=\"presentation\">-<\/span><span dir=\"ltr\" role=\"presentation\">serpenteando, melanc\u00f3lico, a trav\u00e9s de<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">compuesto<\/span><span dir=\"ltr\" role=\"presentation\">-<\/span><span dir=\"ltr\" role=\"presentation\">evoca<\/span> <span dir=\"ltr\" role=\"presentation\">Africano<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Espirituales americanos<\/span><span dir=\"ltr\" role=\"presentation\">pero las armon\u00edas y texturas de ensue\u00f1o suenan intensamente<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Franc\u00e9s<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span><\/span><\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><div class=\"card\">\n\t<button id=\"heading72876ba4a2fb9203f843c797d7c41c4b\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapse72876ba4a2fb9203f843c797d7c41c4b\" aria-expanded=\"false\" aria-controls=\"collapse72876ba4a2fb9203f843c797d7c41c4b\">\n\t\tJean Guillou (1930-2019): Ballade Ossianique No. 2, Op. 23, \"Les chants de Selma\", dedicada a Cherry Rhodes\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapse72876ba4a2fb9203f843c797d7c41c4b\" class=\"collapse\" aria-labelledby=\"heading72876ba4a2fb9203f843c797d7c41c4b\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<div class=\"page\" role=\"region\" data-page-number=\"2\" aria-label=\"P\u00e1gina 2\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page25R_mcid5\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Guillou fue un verdadero pol\u00edmata: compositor, orga<\/span><span dir=\"ltr\" role=\"presentation\">ni<\/span><span dir=\"ltr\" role=\"presentation\">st, pianista,<\/span> <span dir=\"ltr\" role=\"presentation\">poeta, autor<\/span><span dir=\"ltr\" role=\"presentation\">...y...<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">profesor. S\u00f3lo ten\u00eda 12 a\u00f1os cuando fue nombrado organista de la iglesia St.<\/span><span dir=\"ltr\" role=\"presentation\">. Serge, en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su native Angers. M\u00e1s tarde, un<\/span><span dir=\"ltr\" role=\"presentation\">n el Conservatorio de Par\u00eds<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">estudi\u00f3 con Marcel Dupr\u00e9,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Maurice Durufl\u00e9 y Olivier Messiaen, tres titanes de la tradici\u00f3n organ\u00edstica francesa.<\/span> <span dir=\"ltr\" role=\"presentation\">En<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el medio<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">50s,<\/span> <span dir=\"ltr\" role=\"presentation\">Guillou<\/span> <span dir=\"ltr\" role=\"presentation\">ense\u00f1\u00f3 \u00f3rgano y composici\u00f3n en el Inst<\/span><span dir=\"ltr\" role=\"presentation\">ituaci\u00f3n de la m\u00fasica sacra<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">en Lisboa<\/span> <span dir=\"ltr\" role=\"presentation\">y<\/span> <span dir=\"ltr\" role=\"presentation\">comenz\u00f3 a escribir m\u00fasica \u00e9l mismo. En 1958 se<\/span><span dir=\"ltr\" role=\"presentation\">vado a Berl\u00edn<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">obtener<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">tratamiento m\u00e9dico para una enfermedad cr\u00f3nica.<\/span> <span dir=\"ltr\" role=\"presentation\">Durante estos a\u00f1os<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">continu\u00f3 a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">componer<\/span> <span dir=\"ltr\" role=\"presentation\">m\u00fasica original<\/span> <span dir=\"ltr\" role=\"presentation\">y realiz\u00f3 sus primeras grabaciones en<\/span> <span dir=\"ltr\" role=\"presentation\">Lutherkirche y St.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Iglesia de Mat\u00edas.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page25R_mcid6\" class=\"markedContent\"><\/span><span id=\"page25R_mcid7\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">En<\/span> <span dir=\"ltr\" role=\"presentation\">1963<\/span> <span dir=\"ltr\" role=\"presentation\">volvi\u00f3 a Par\u00eds.<\/span> <span dir=\"ltr\" role=\"presentation\">Durante los pr\u00f3ximos 52 a\u00f1os<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">hasta<\/span> <span dir=\"ltr\" role=\"presentation\">2015,<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">sirvi\u00f3 como titular<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">organista en Saint<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">Eustache en Par\u00eds, donde<\/span> <span dir=\"ltr\" role=\"presentation\">era conocido por su brillante<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">improvisaciones y<\/span> <span dir=\"ltr\" role=\"presentation\">distintivo<\/span> <span dir=\"ltr\" role=\"presentation\">transcripciones<\/span> <span dir=\"ltr\" role=\"presentation\">de compositores cuya obra<\/span><span dir=\"ltr\" role=\"presentation\">s podr\u00eda<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">de lo contrario, parec\u00eda estar enferma<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">adaptada a la<\/span> <span dir=\"ltr\" role=\"presentation\">repertorio de \u00f3rgano<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">\u00c9l cre\u00eda firmemente<\/span> <span dir=\"ltr\" role=\"presentation\">que<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su instrumento pertenec\u00eda tanto a las salas de concierto como a las iglesias y catedrales, y<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">a menudo<\/span> <span dir=\"ltr\" role=\"presentation\">actu\u00f3 a nivel internacional: en 1966<\/span> <span dir=\"ltr\" role=\"presentation\">jugado<\/span> <span dir=\"ltr\" role=\"presentation\">Max Reger's<\/span> <span dir=\"ltr\" role=\"presentation\"><em>Fantas\u00eda<\/em> y <em>Fuga<\/em><\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">en <em>BACH<\/em><\/span><span dir=\"ltr\" role=\"presentation\">Op. 46, en la Philharmonie de Berl\u00edn, para conmemorar el 50\u00ba aniversario<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">de<\/span> <span dir=\"ltr\" role=\"presentation\">La muerte de Reger.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page25R_mcid8\" class=\"markedContent\"><\/span><span id=\"page25R_mcid9\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Guillou compuso m\u00e1s de 90 obras para \u00f3rgano, orquesta y m\u00fasica de c\u00e1mara,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">y realiz\u00f3 muchas transcripciones, as\u00ed como m\u00e1s de 100 grabaciones. Tambi\u00e9n<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">publicado<\/span> <span dir=\"ltr\" role=\"presentation\">varios libros, incluyendo colecciones de poes\u00eda.<\/span><\/span><\/div>\n<\/div>\n<div class=\"page\" role=\"region\" data-page-number=\"3\" aria-label=\"P\u00e1gina 3\" data-loaded=\"true\">\n<div class=\"canvasWrapper\"><\/div>\n<div class=\"textLayer\"><span id=\"page27R_mcid0\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Guillou escribi\u00f3 el complejo a<\/span><span dir=\"ltr\" role=\"presentation\">y t\u00e9cnicamente desafiante<\/span> <em><span dir=\"ltr\" role=\"presentation\">Ballade Ossianique<\/span><\/em><span dir=\"ltr\" role=\"presentation\"><em>, <\/em>N\u00ba 2 en<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">1971 y lo revis\u00f3 en 2005.<\/span> <span dir=\"ltr\" role=\"presentation\">Lo dedic\u00f3 a Cherry Rhodes, su antiguo alumno y<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">asistente durante dos a\u00f1os en Saint<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">Eustache.<\/span><\/span><\/div>\n<div><\/div>\n<div><strong><span id=\"page27R_mcid2\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Habla el compositor<\/span><\/span><\/strong><span id=\"page27R_mcid3\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">\"La presente composici\u00f3n, refundida varias veces, repr<\/span><span dir=\"ltr\" role=\"presentation\">presenta la versi\u00f3n final de lo que<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">era originalmente, como algunas de las Sagas, una de mis improvisaciones grabadas. Despu\u00e9s de la<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">crecimiento continuo de una nota de<\/span> <em><span dir=\"ltr\" role=\"presentation\">pianissimo<\/span><\/em> <span dir=\"ltr\" role=\"presentation\">a la<\/span> <em><span dir=\"ltr\" role=\"presentation\">fortissimo<\/span><\/em> <span dir=\"ltr\" role=\"presentation\">de un acorde que sale como<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">una espada cortante, las frases ondulantes evocan un paisaje envuelto en la niebla. El<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Aparece una nota continua, y pronto notas aisladas, que caen como gotas de lluvia en una cueva,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">parecen constituir el esbozo de una figura mel\u00f3dica en embri\u00f3n.<\/span> <span dir=\"ltr\" role=\"presentation\">Este \u00faltimo, despu\u00e9s de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">numerosos episodios de expectaci\u00f3n y a veces de soledad amenazante, poco a poco<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">toma forma, como si sintiera su camino a trav\u00e9s de la oscuridad. Peri\u00f3dicamente,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">pasajes de desarrollo son interrumpidos por la nota insistente, que cada vez<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">parece kee<\/span><span dir=\"ltr\" role=\"presentation\">n para hacer retroceder a las fuerzas hostiles. La c\u00e9lula tem\u00e1tica, la \u00fanica c\u00e9lula<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">constituyendo el elemento constructivo de toda la obra, ahora estalla y se rompe<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">a trav\u00e9s de las innumerables fuerzas cambiantes. Al final se produce una especie de transfiguraci\u00f3n<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">en este tormento,<\/span> <span dir=\"ltr\" role=\"presentation\">dando paso a un himno final lleno de entusiasmo y<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">j\u00fabilo\".<\/span><span dir=\"ltr\" role=\"presentation\">-<\/span><strong><span dir=\"ltr\" role=\"presentation\">Jean Guillou<\/span><\/strong><\/span><\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><div class=\"card\">\n\t<button id=\"heading1d7894703f9c385b3db730d8acab6b2f\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapse1d7894703f9c385b3db730d8acab6b2f\" aria-expanded=\"false\" aria-controls=\"collapse1d7894703f9c385b3db730d8acab6b2f\">\n\t\tP. Jos\u00e9 Walter: Coral, Diferencias y Glosas sobre Puer Natus in Bethlehem (Un ni\u00f1o ha nacido en Bel\u00e9n). Escrito para Cherry Rhodes.\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapse1d7894703f9c385b3db730d8acab6b2f\" class=\"collapse\" aria-labelledby=\"heading1d7894703f9c385b3db730d8acab6b2f\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<div class=\"page\" role=\"region\" data-page-number=\"3\" aria-label=\"P\u00e1gina 3\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page27R_mcid7\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Walter empez\u00f3 a componer m\u00fasica en el instituto,<\/span> <span dir=\"ltr\" role=\"presentation\">comenzando con<\/span> <span dir=\"ltr\" role=\"presentation\">musicales. Gan\u00f3<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su maestr\u00eda en la Universidad Estatal de Nueva York en Buffalo, donde estudi\u00f3<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">composici\u00f3n<\/span> <span dir=\"ltr\" role=\"presentation\">con Morton Feldman y William Kothe.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page27R_mcid8\" class=\"markedContent\"><\/span><span id=\"page27R_mcid9\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Adem\u00e1s de ser profesor y compositor,<\/span> <span dir=\"ltr\" role=\"presentation\">Walter<\/span> <span dir=\"ltr\" role=\"presentation\">tambi\u00e9n es pastor de dos<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">parroquias en Fredonia, Nueva York.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page27R_mcid10\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Rhodes ha estrenado otras obras de Walter, como<\/span> <span dir=\"ltr\" role=\"presentation\"><em>Variaciones de la Salve<\/em>, <em>Festa muere<\/em><\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">para dos \u00f3rganos (1999) y el correspondiente<\/span> <span dir=\"ltr\" role=\"presentation\"><em>Meditaciones sobre la Salve<\/em>, <em>Festa muere<\/em><\/span><span dir=\"ltr\" role=\"presentation\">para el \u00f3rgano<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">solo (2002)<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">W<\/span><span dir=\"ltr\" role=\"presentation\">on Rhodes en mente como organista, W<\/span><span dir=\"ltr\" role=\"presentation\">Alter pas\u00f3 tres<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">y<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">a<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">medio a\u00f1o<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">escribiendo el<\/span> <span dir=\"ltr\" role=\"presentation\">Coral, Diferencias y Glosas en<\/span> <em><span dir=\"ltr\" role=\"presentation\">Puer Natus en Bel\u00e9n<\/span><\/em><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">completando<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el trabajo en 2016.<\/span> <span dir=\"ltr\" role=\"presentation\">\u00c9l<\/span> <span dir=\"ltr\" role=\"presentation\">se inspir\u00f3 en un 13<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">siglo gregoriano<\/span> <span dir=\"ltr\" role=\"presentation\">canto, un<\/span> <span dir=\"ltr\" role=\"presentation\">Navidad<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">himno<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page27R_mcid11\" class=\"markedContent\"><\/span><span id=\"page27R_mcid12\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">En una int<\/span><span dir=\"ltr\" role=\"presentation\">entevista publicada en el<\/span> <em><span dir=\"ltr\" role=\"presentation\">Nueva York<\/span> <span dir=\"ltr\" role=\"presentation\">Observador<\/span><\/em> <span dir=\"ltr\" role=\"presentation\">en la \u00e9poca de la<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">estreno, Walter coment\u00f3 que Rhodes es \"un virtuoso, y se necesita un virtuoso para tocar<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">la pieza, ya que no es una pieza f\u00e1cil<\/span> <span dir=\"ltr\" role=\"presentation\">a realizar\".<\/span> <span dir=\"ltr\" role=\"presentation\">Las Diferencias (<\/span><span dir=\"ltr\" role=\"presentation\">similar<\/span> <span dir=\"ltr\" role=\"presentation\">a un<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">secci\u00f3n de desarrollo en so<\/span><span dir=\"ltr\" role=\"presentation\">nata) y Glosas<\/span> <span dir=\"ltr\" role=\"presentation\">(<\/span><span dir=\"ltr\" role=\"presentation\">ultra<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">variantes de adorno)<\/span> <span dir=\"ltr\" role=\"presentation\">son<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">procedimientos musicales asociados a la composici\u00f3n renacentista espa\u00f1ola<\/span><span dir=\"ltr\" role=\"presentation\">rs como<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Antonio de Cabez\u00f3n. Entre las muchas delicias de este v\u00edvido y virtuoso 17<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">minuto<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el trabajo es a pedales<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">s\u00f3lo la cadencia.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page27R_mcid13\" class=\"markedContent\"><\/span><span id=\"page27R_mcid14\" class=\"markedContent\"><br role=\"presentation\" \/><strong><span dir=\"ltr\" role=\"presentation\">El<\/span> <span dir=\"ltr\" role=\"presentation\">Habla el compositor<\/span><\/strong><\/span><\/div>\n<\/div>\n<div class=\"page\" role=\"region\" data-page-number=\"4\" aria-label=\"P\u00e1gina 4\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page29R_mcid0\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">\"Aunque la obra no pretende ser program\u00e1tica, se puede considerar como un<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">reflejo del ideario del himno<\/span><span dir=\"ltr\" role=\"presentation\">as y sentimientos.<\/span> <span dir=\"ltr\" role=\"presentation\">Estos abrazan tanto la ternura de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el reci\u00e9n nacido, que es el Amor Divino hecho visible, y el poder del<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">La encarnaci\u00f3n, que restablece el orden en el cosmos, llevando la salvaci\u00f3n a un mundo<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">que necesita urgentemente la redenci\u00f3n\".<\/span><\/span><\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><div class=\"card\">\n\t<button id=\"headingaa8c62645aa3c7569a99b37c10c38cef\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapseaa8c62645aa3c7569a99b37c10c38cef\" aria-expanded=\"false\" aria-controls=\"collapseaa8c62645aa3c7569a99b37c10c38cef\">\n\t\tLouis Vierne (1870-1937): Pi\u00e8ces de fantasie, Suite n\u00ba 2, Op. 53, \"Clair de lune\"\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapseaa8c62645aa3c7569a99b37c10c38cef\" class=\"collapse\" aria-labelledby=\"headingaa8c62645aa3c7569a99b37c10c38cef\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<p><span id=\"page29R_mcid3\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">\"Vine al mundo casi completamente ciego, a causa de<\/span> <span dir=\"ltr\" role=\"presentation\">que mis padres sintieron<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">un disgusto muy agudo\", record\u00f3 Vierne. Con la ayuda de una potente lupa,<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">estudi\u00f3 contrapunto con C\u00e9sar Franck, a quien conoci\u00f3 a la edad de<\/span> <span dir=\"ltr\" role=\"presentation\">nueve<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">cuando la poderosa actuaci\u00f3n del anciano en Sainte<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">Clotilde<\/span> <span dir=\"ltr\" role=\"presentation\">inspirar<\/span><span dir=\"ltr\" role=\"presentation\">ed Vierne a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">convertirse en organista<\/span><span dir=\"ltr\" role=\"presentation\">. Tras la muerte de su primer mentor,<\/span> <span dir=\"ltr\" role=\"presentation\">a<\/span> <span dir=\"ltr\" role=\"presentation\">se dirigi\u00f3 a<\/span> <span dir=\"ltr\" role=\"presentation\">Charles<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">Marie<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Widor, otro gigante de la tradici\u00f3n del \u00f3rgano sinf\u00f3nico franc\u00e9s. Aunque Vierne<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">se convirti\u00f3 en un<\/span> <span dir=\"ltr\" role=\"presentation\">venerado<\/span> <span dir=\"ltr\" role=\"presentation\">profesor<\/span> <span dir=\"ltr\" role=\"presentation\">\u00e9l mismo<\/span><span dir=\"ltr\" role=\"presentation\">Pero a\u00fan as\u00ed, le mostr\u00f3 a Widor los borradores de todo lo que<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">compuesto<\/span> <span dir=\"ltr\" role=\"presentation\">hasta bien entrada la treintena<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span><\/span><\/p>\n<p><span id=\"page29R_mcid4\" class=\"markedContent\"><\/span><span id=\"page29R_mcid5\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">F<\/span><span dir=\"ltr\" role=\"presentation\">desde 1900 hasta su muerte<\/span><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">Vierne<\/span> <span dir=\"ltr\" role=\"presentation\">fue organista principal de Notre Dame<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Catedral, en Par\u00eds. El estado<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">de<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">el<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">arte Cavaill\u00e9<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">El instrumento Coll, con su<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">gama de registros sin precedentes, explot\u00f3 plenamente las posibilidades tonales del<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">evoluci\u00f3n del \"estilo sinf\u00f3nico\" franc\u00e9s. Las seis o<\/span><span dir=\"ltr\" role=\"presentation\">Las sinfon\u00edas gan son el sello de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el g\u00e9nero.<\/span> <span dir=\"ltr\" role=\"presentation\">Su<\/span> <em><span dir=\"ltr\" role=\"presentation\">Piezas de fantas\u00eda<\/span><\/em><span dir=\"ltr\" role=\"presentation\">, cuatro seis<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">suites de movimiento, fueron compuestas en 1926<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">y 1927 para su exitosa gira americana. \"Claire de lune\" proviene de la Suite<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">N\u00ba 2, donde sirve de pen\u00faltimo movimiento. Alth<\/span><span dir=\"ltr\" role=\"presentation\">a trav\u00e9s de Vierne en gran medida<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">admirado Claude Debussy, este largo y muy expresivo Adagio en Re<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">el bemol mayor no es<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">especialmente en deuda con<\/span> <span dir=\"ltr\" role=\"presentation\">m\u00e1s<\/span> <span dir=\"ltr\" role=\"presentation\">famosa pieza de piano con ese nombre.<\/span><\/span><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><div class=\"card\">\n\t<button id=\"heading1fd7f0dd62befd92b30fd2f3d6079082\" class=\"dso__accordion-toggle\" type=\"button\" data-toggle=\"collapse\" data-target=\"#collapse1fd7f0dd62befd92b30fd2f3d6079082\" aria-expanded=\"false\" aria-controls=\"collapse1fd7f0dd62befd92b30fd2f3d6079082\">\n\t\tMax Reger (1873-1916): Fantas\u00eda y fuga en re menor, Op. 135b\t\t<span class=\"plus-sign\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"25\" viewbox=\"0 0 25 25\">\n                <g transform=\"translate(211.054 -145.186) rotate(135)\"><rect width=\"25\" height=\"3\" transform=\"translate(242.001 36.678) rotate(-45)\"\/><rect width=\"25\" height=\"3\" transform=\"translate(244.12 19) rotate(45)\"\/><\/g>\n            <\/svg>\n        <\/span>\n\t<\/button>\n\n\t<div id=\"collapse1fd7f0dd62befd92b30fd2f3d6079082\" class=\"collapse\" aria-labelledby=\"heading1fd7f0dd62befd92b30fd2f3d6079082\" data-parent=\"#accordion-d41d8cd98f00b204e9800998ecf8427e\">\n\t\t<div class=\"card-body\">\n\t\t\t<div class=\"page\" role=\"region\" data-page-number=\"4\" aria-label=\"P\u00e1gina 4\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page29R_mcid8\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Aunque muchos cr\u00edticos cons<\/span><span dir=\"ltr\" role=\"presentation\">iderarlo el mayor compositor de m\u00fasica para \u00f3rgano desde J.S.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Bach, Reger est\u00e1 algo descuidado hoy en d\u00eda.<\/span> <span dir=\"ltr\" role=\"presentation\">Naci\u00f3 en Brand, Baviera, y<\/span> <span dir=\"ltr\" role=\"presentation\">recibi\u00f3 su<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">formaci\u00f3n temprana de un organista de Weiden, Adalbert Lindner, que le recomend\u00f3 a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su propio y antiguo maestro, Hugo Riemann. U<\/span><span dir=\"ltr\" role=\"presentation\">Bajo la tutela de Riemann, Reger se sumergi\u00f3<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">en el estudio del contrapunto y otros procedimientos formales, estudiando a fondo<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">partituras de Brahms y Bach para dominar los matices de la variaci\u00f3n, la fuga y la fantas\u00eda. \u00c9l<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">termin\u00f3 sus estudios y luego ense\u00f1\u00f3 teor\u00eda musical hasta<\/span> <span dir=\"ltr\" role=\"presentation\">su a\u00f1o obligatorio de<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">El servicio militar comenz\u00f3 en 1896. Tras unos a\u00f1os recuper\u00e1ndose de esta experiencia,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">que le result\u00f3 muy traum\u00e1tica, se traslad\u00f3 de Weiden a M\u00fanich, donde<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">ense\u00f1\u00f3 m\u00fasica y lanz\u00f3 una campa\u00f1a in\u00fatil y polarizante contra Rie<\/span><span dir=\"ltr\" role=\"presentation\">mann,<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">su antiguo amo. Llam\u00f3 a esta dura ret\u00f3rica \"guerra de progreso\", pero ciertamente<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">no tom\u00f3<\/span> <span dir=\"ltr\" role=\"presentation\">su carrera<\/span> <span dir=\"ltr\" role=\"presentation\">muy<\/span> <span dir=\"ltr\" role=\"presentation\">lejos.<\/span><\/span><\/div>\n<div><\/div>\n<div class=\"textLayer\"><span id=\"page29R_mcid9\" class=\"markedContent\"><\/span><span id=\"page29R_mcid10\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">Durante este per\u00edodo (aproximadamente la primera d\u00e9cada del siglo XX), Reger escribi\u00f3 muchas<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">composiciones para \u00f3rgano de gran envergadura. Intensamente crom\u00e1tico<\/span><span dir=\"ltr\" role=\"presentation\">con acordes untados y abruptos<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">modulaciones, son notoriamente dif\u00edciles. No es de extra\u00f1ar que no fueran muy<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">de \u00e9xito, tanto comercial como de cr\u00edtica. Sin embargo, le dieron a Reger su<\/span><\/span><\/div>\n<\/div>\n<div class=\"page\" role=\"region\" data-page-number=\"5\" aria-label=\"P\u00e1gina 5\" data-loaded=\"true\">\n<div class=\"textLayer\"><span id=\"page31R_mcid0\" class=\"markedContent\"><span dir=\"ltr\" role=\"presentation\">disc\u00edpulo m\u00e1s importante: el organista Karl Straube, que casi<\/span> <span dir=\"ltr\" role=\"presentation\">solo<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">a mano<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">aseguraron su lugar en el repertorio del virtuoso del \u00f3rgano.<\/span><\/span><\/div>\n<div class=\"textLayer\"><span id=\"page31R_mcid1\" class=\"markedContent\"><\/span><span id=\"page31R_mcid2\" class=\"markedContent\"><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Con la asistencia de Straube,<\/span> <span dir=\"ltr\" role=\"presentation\">Reger complet\u00f3 su Fantas\u00eda y Fuga en re menor<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">el 1 de marzo de 1916. Los 43<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">a\u00f1o<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">antiguo compositor<\/span> <span dir=\"ltr\" role=\"presentation\">muri\u00f3<\/span> <span dir=\"ltr\" role=\"presentation\">de un ataque al coraz\u00f3n en un hotel de Leipzig<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">habitaci\u00f3n<\/span> <span dir=\"ltr\" role=\"presentation\">dos meses<\/span> <span dir=\"ltr\" role=\"presentation\">m\u00e1s tarde, antes de<\/span> <span dir=\"ltr\" role=\"presentation\">de la obra<\/span> <span dir=\"ltr\" role=\"presentation\">estreno y publicaci\u00f3n<\/span><span dir=\"ltr\" role=\"presentation\">. Dedicado a<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">Richard Strauss, el rom\u00e1ntico<\/span><span dir=\"ltr\" role=\"presentation\">, t\u00e9cnicamente<\/span> <span dir=\"ltr\" role=\"presentation\">complicado<\/span> <span dir=\"ltr\" role=\"presentation\">d\u00edptico<\/span> <span dir=\"ltr\" role=\"presentation\">es<\/span> <span dir=\"ltr\" role=\"presentation\">uno de sus \u00faltimos<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">composici\u00f3n<\/span><span dir=\"ltr\" role=\"presentation\">s<\/span><span dir=\"ltr\" role=\"presentation\">.<\/span> <span dir=\"ltr\" role=\"presentation\">El Fantasie presenta el tema principal, decorado y en diferentes<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">voces. La Fuga consta de dos co<\/span><span dir=\"ltr\" role=\"presentation\">ntrastadas partes: una sombr\u00eda y algo<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">densa, la otra viva y transparente.<\/span> <span dir=\"ltr\" role=\"presentation\">Reger's<\/span> <span dir=\"ltr\" role=\"presentation\">original<\/span> <span dir=\"ltr\" role=\"presentation\">El manuscrito lleva un<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">nota manuscrita<\/span> <span dir=\"ltr\" role=\"presentation\">por Elsa Reger, la esposa del compositor:<\/span> <span dir=\"ltr\" role=\"presentation\">\u201c<\/span><span dir=\"ltr\" role=\"presentation\">En memoria de mi querido<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">ahijado Max Hanfried Poppen, de Fra<\/span><span dir=\"ltr\" role=\"presentation\">u Max Reger, M\u00fanich 1 de abril<\/span><span dir=\"ltr\" role=\"presentation\">937.\u201d<\/span><\/span><\/div>\n<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n    <div class=\"featured-concerts grad-to-left m-spacer\">\n        <div class=\"container-fluid\">\n            <div class=\"row\">\n                <div class=\"col-md-7 col-7 offset-md-1\">\n                    <h1 class=\"serif__elight-58-italic\">Tambi\u00e9n puede interesarle<\/h1>\n                <\/div>\n                <div class=\"col-md-4 col-5\">\n                    <div class=\"controls__wrapper\">\n                        <div class=\"slideshow__controls d-none d-lg-block\">\n                            <button class=\"controls__prev\"  data-button-id=\"ce521efc004ccefc8be968e5ea090283\">\n                                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" enable-background=\"new 0 0 24 24\" height=\"24\" viewbox=\"0 0 24 24\" width=\"24\">\n                                    <g><rect fill=\"none\" height=\"24\" width=\"24\"\/><path d=\"M12,4c4.41,0,8,3.59,8,8s-3.59,8-8,8s-8-3.59-8-8S7.59,4,12,4 M12,2C6.48,2,2,6.48,2,12c0,5.52,4.48,10,10,10 c5.52,0,10-4.48,10-10C22,6.48,17.52,2,12,2L12,2z M13,12l0-4h-2l0,4H8l4,4l4-4H13z\"\/><\/g>\n                                <\/svg>\n                            <\/button>\n                            <button class=\"controls__next\" data-button-id=\"ce521efc004ccefc8be968e5ea090283\">\n                                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" enable-background=\"new 0 0 24 24\" height=\"24\" viewbox=\"0 0 24 24\" width=\"24\">\n                                    <g><rect fill=\"none\" height=\"24\" width=\"24\"\/><path d=\"M12,4c4.41,0,8,3.59,8,8s-3.59,8-8,8s-8-3.59-8-8S7.59,4,12,4 M12,2C6.48,2,2,6.48,2,12c0,5.52,4.48,10,10,10 c5.52,0,10-4.48,10-10C22,6.48,17.52,2,12,2L12,2z M13,12l0-4h-2l0,4H8l4,4l4-4H13z\"\/><\/g>\n                                <\/svg>\n                            <\/button>\n                        <\/div>\n\n\t                                        <\/div>\n                <\/div>\n            <\/div>\n            <div class=\"row\">\n                <div class=\"col-md-11 offset-md-1\">\n                    <div class=\"slideshow\">\n                        <div class=\"dso__slides\" data-button-id=\"ce521efc004ccefc8be968e5ea090283\">\n                            <div class=\"concert__card\" style=\"margin-right: 15px\">\n    <a href=\"https:\/\/www.dallassymphony.org\/es\/?post_type=dso_prod_season&amp;p=8163\">\n        <div class=\"img__wrapper\">\n\t        <img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"218\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-388x218.jpg\" class=\"attachment-388x218 size-388x218 wp-post-image\" alt=\"\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-388x218.jpg 388w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-300x169.jpg 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-1024x576.jpg 1024w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-768x432.jpg 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-1536x864.jpg 1536w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-18x10.jpg 18w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-540x303.jpg 540w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-666x375.jpg 666w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1-735x413.jpg 735w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/03\/Verdi-Requiem-v2-1600x900-1.jpg 1600w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/>        <\/div>\n        <div class=\"content__wrapper\">\n            <h4 class=\"serif__light-22\">\n                R\u00e9quiem de Verdi            <\/h4>\n            <p class=\"serif__light-16-italic\">10 - 13 de noviembre de 2022<\/p>\n            <p class=\"sans-cond__med-14\">M\u00e1s informaci\u00f3n y compra de entradas<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n<div class=\"concert__card\" style=\"margin-right: 15px\">\n    <a href=\"https:\/\/www.dallassymphony.org\/es\/productions\/christian-schmitt-gould-family-organ-recital-series\/\">\n        <div class=\"img__wrapper\">\n\t        <img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"218\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-388x218.jpg\" class=\"attachment-388x218 size-388x218 wp-post-image\" alt=\"\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-388x218.jpg 388w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-18x10.jpg 18w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-540x303.jpg 540w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-666x375.jpg 666w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-735x413.jpg 735w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/06\/Website-Graphic-Christian-Schmitt-768x432.jpg 768w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/>        <\/div>\n        <div class=\"content__wrapper\">\n            <h4 class=\"serif__light-22\">\n                Christian Schmitt | Serie de recitales de \u00f3rgano de la familia Gould            <\/h4>\n            <p class=\"serif__light-16-italic\">19 de marzo de 2023<\/p>\n            <p class=\"sans-cond__med-14\">M\u00e1s informaci\u00f3n y compra de entradas<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n<div class=\"concert__card\" style=\"margin-right: 15px\">\n    <a href=\"https:\/\/www.dallassymphony.org\/es\/productions\/carmina-burana\/\">\n        <div class=\"img__wrapper\">\n\t        <img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"218\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-388x218.jpg\" class=\"attachment-388x218 size-388x218 wp-post-image\" alt=\"Carmina Burana\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-388x218.jpg 388w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-300x169.jpg 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-1024x576.jpg 1024w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-768x432.jpg 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-1536x864.jpg 1536w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-18x10.jpg 18w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-540x303.jpg 540w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-666x375.jpg 666w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2-735x413.jpg 735w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2022\/02\/Web-Graphic-CLA19_v2.jpg 1600w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/>        <\/div>\n        <div class=\"content__wrapper\">\n            <h4 class=\"serif__light-22\">\n                Carmina Burana            <\/h4>\n            <p class=\"serif__light-16-italic\">11 - 14 de mayo de 2023<\/p>\n            <p class=\"sans-cond__med-14\">M\u00e1s informaci\u00f3n y compra de entradas<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n                        <\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n            <div class=\"row\">\n                <div class=\"col-11 offset-1\">\n                    <div class=\"slideshow__controls d-lg-none\">\n                        <button class=\"controls__prev\" data-prev=\"#\" data-button-id=\"ce521efc004ccefc8be968e5ea090283\">\n                            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" enable-background=\"new 0 0 24 24\" height=\"24\" viewbox=\"0 0 24 24\" width=\"24\">\n                                <g><rect fill=\"none\" height=\"24\" width=\"24\"\/><path d=\"M12,4c4.41,0,8,3.59,8,8s-3.59,8-8,8s-8-3.59-8-8S7.59,4,12,4 M12,2C6.48,2,2,6.48,2,12c0,5.52,4.48,10,10,10 c5.52,0,10-4.48,10-10C22,6.48,17.52,2,12,2L12,2z M13,12l0-4h-2l0,4H8l4,4l4-4H13z\"\/><\/g>\n                            <\/svg>\n                        <\/button>\n                        <button class=\"controls__next\" data-next=\"#\" data-button-id=\"ce521efc004ccefc8be968e5ea090283\">\n                            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" enable-background=\"new 0 0 24 24\" height=\"24\" viewbox=\"0 0 24 24\" width=\"24\">\n                                <g><rect fill=\"none\" height=\"24\" width=\"24\"\/><path d=\"M12,4c4.41,0,8,3.59,8,8s-3.59,8-8,8s-8-3.59-8-8S7.59,4,12,4 M12,2C6.48,2,2,6.48,2,12c0,5.52,4.48,10,10,10 c5.52,0,10-4.48,10-10C22,6.48,17.52,2,12,2L12,2z M13,12l0-4h-2l0,4H8l4,4l4-4H13z\"\/><\/g>\n                            <\/svg>\n                        <\/button>\n                    <\/div>\n\n                <\/div>\n\n            <\/div>\n        <\/div>\n    <\/div>","protected":false},"excerpt":{"rendered":"<p>Cherry Rhodes es la primera estadounidense en ganar un concurso internacional de \u00f3rgano (Munich). Ha realizado numerosas giras por las principales capitales musicales de Am\u00e9rica, Europa y Asia con recitales en catedrales, iglesias y salas de concierto de renombre mundial, como Notre Dame, Royal Festival Hall (Londres), International Performing Arts Center (Mosc\u00fa), Walt Disney Concert Hall, Lincoln Center y Kennedy Center. Vuelve al Meyerson Symphony Center despu\u00e9s de haber actuado aqu\u00ed por \u00faltima vez en 1993.<\/p>","protected":false},"featured_media":9284,"template":"","dso_concert_series":[37],"class_list":["post-8229","dso_prod_season","type-dso_prod_season","status-publish","has-post-thumbnail","hentry","dso_concert_series-organ"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_prod_season\/8229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_prod_season"}],"about":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/types\/dso_prod_season"}],"version-history":[{"count":0,"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_prod_season\/8229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/media\/9284"}],"wp:attachment":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/media?parent=8229"}],"wp:term":[{"taxonomy":"dso_concert_series","embeddable":true,"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_concert_series?post=8229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}