{"id":4778,"date":"2020-12-15T13:50:59","date_gmt":"2020-12-15T19:50:59","guid":{"rendered":"https:\/\/www.dallassymphony.org\/?post_type=dso_news&#038;p=4778"},"modified":"2020-12-17T15:10:00","modified_gmt":"2020-12-17T21:10:00","slug":"on-the-record-mark-wilson","status":"publish","type":"dso_news","link":"https:\/\/www.dallassymphony.org\/es\/news\/on-the-record-mark-wilson\/","title":{"rendered":"On The Record - Mark Wilson"},"content":{"rendered":"<div class=\"hero__no-img bg-blue-8\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-md-10\">\n\n\t\t\t\t<ul class=\"breadcrumbs\">\n    \t<li class=\"breadcrumb__link \">\n\t\t<a class=\"a-hover\" href=\"https:\/\/www.dallassymphony.org\/es\/\">Home<\/a>\n\t<\/li>\n    \t<li class=\"breadcrumb__link a-styles\">\n\t\t<a class=\"a-hover\" href=\"https:\/\/www.dallassymphony.org\/es\/?page_id=618\">Discover &#038; connect<\/a>\n\t<\/li>\n    \t<li class=\"breadcrumb__link a-styles\">\n\t\t<a class=\"a-hover\" href=\"https:\/\/www.dallassymphony.org\/es\/?page_id=619\">DSO Media Vault<\/a>\n\t<\/li>\n    <\/ul>\n\n                \t\t\t\t<h1>\n                    <span >On The Record &#8211; Mark Wilson<\/span>\n                <\/h1>\n                \t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<p>WITH SARAH KIENLE<\/p>\n\n\n\n<p>Associate principal librarian Mark Wilson reflects on the memories of his favorite music and reveals the intricacies of working in an orchestra library.<\/p>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-300x300.jpg\" alt=\"Mark Wilson, Associate Principal Library\" class=\"wp-image-1405\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-300x300.jpg 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-1024x1024.jpg 1024w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-150x150.jpg 150w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-768x768.jpg 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-12x12.jpg 12w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-262x262.jpg 262w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-350x350.jpg 350w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson-445x445.jpg 445w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/Mark-Wilson.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/948024361&#038;color=%233949d9&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\">\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<p>THE BEATLES: \u201cLady Madonna\u201d<\/p>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4kYnFAIsS915Wj57QVMV0E\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"80\" frameborder=\"0\"><\/iframe>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<p>\u201cThis one came out in the mid-60\u2019s so I wasn\u2019t quite ten yet, and I had three older brothers, all of them had bands\u2026 I just remember going down this long staircase down to the basement and I\u2019d sit there and I would stare through the banister at my brother and his band, and this is the piece that they were playing. There\u2019s this lick in the left hand of the piano; it just was ingrained in my memory. We had this piano in the basement. It was this big, red, clunky piano, and I would go to the piano (I hadn\u2019t started studying yet) and I would try and pick out the notes. I wasn\u2019t very successful at it, but that was my goal.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>CARLY SIMON:&nbsp; \u201cThat\u2019s The Way I\u2019ve Always Heard It Should Be\u201d from <em>Carly Simon<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4jkn5PRfAJoKfXF0OPL7n7\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"80\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>\u201cI\u2019ve always loved her, and I love her story because she\u2019s a very shy person.&nbsp; She comes from a musical family\u2026 but her sister was an opera singer as well, and all three of the girls sang, and she has incredible stage fright and so every time she performs I\u2019m always amazed because her voice just seems so lovely\u2026&nbsp;<\/p>\n\n\n\n<p>When I was thirteen, my cousins who lived in California came back for a visit and I think they took pity on me because they probably realized, \u2018this kid needs to get away from Long Island for a while\u2019\u2026 the four of us got into their Toyota station wagon and they took me back to California for about six weeks. Driving across country, we listened to the radio a lot, and for some reason this song came on a lot. Every time I hear it, I can still remember that drive and some of the things we saw\u2026 it was beautiful\u201d<\/p>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>DEBUSSY: Pr\u00e9ludes\/ Book 1, L. 117: 10. La cath\u00e9drale engloutie<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6ChaBDbCb7NHmU563z3kpQ\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"80\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>\u201c[Debussy\u2019s] works really speak to me, I have to say. Just seeing impressionistic paintings and then listening to Debussy and Ravel, those composers really investigated that genre very, very well\u2026<\/p>\n\n\n\n<p>It\u2019s based on an ancient myth of a cathedral submerged under water. It rises up from the sea on clear mornings with the water is clear.&nbsp; Sounds can be heard of priests chanting, bells chiming, and the organ playing.&nbsp; Eventually, the cathedral sinks slowly back under the water and all you can hear in the distance are the bells ringing.\u201d<\/p>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>COPLAND: Appalachian Spring<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XmgaKGSxQVw\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>\u201cFunnily enough, when I worked at Boosey and Hawkes, they were Copland\u2019s publishers.&nbsp; I began to learn a lot about this piece, and learned that it was written initially as a commission by Martha Graham and Elizabeth Sprague Coolidge.&nbsp; They commissioned him in about the early 40\u2019s to write a ballet based on an American theme.&nbsp; He didn\u2019t really know what the ballet was going to be about, so he just titled it \u2018Ballet for Martha\u2019 and gave it to her.&nbsp; She did the choreography and then a little bit before the premiere, she suggested calling it \u2018Appalachian Spring\u2019 because it was a phrase from a poem by Hart Crane called <em>The Dance<\/em>, and she particularly liked that phrase that mentions Appalachian Spring in it\u2026<\/p>\n\n\n\n<p>It\u2019s just beautiful. Copland uses these really wide chords so you have this sort of expansive sound.&nbsp; It\u2019s just a gorgeous piece.\u201d<\/p>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>MAHLER: 5 R\u00fcckert-Lieder: IV. Ich bin der Welt abhanden gekommen<\/p>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6UtfOszFUw4pjfXkIVnTAD\" allowtransparency=\"true\" allow=\"encrypted-media\" width=\"300\" height=\"80\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>\u201cMahler himself was a person who dealt a lot with death and I think he chose poets to write music to their poetry that really supported that in him\u2026 I think I became aware of it when maestro Eduardo Mata died.&nbsp; At his memorial service at the Meyerson, the Dallas Symphony played this piece and the soloist was someone that Maestro Mata had worked with a lot and I was just so taken with the beauty of it, and so I began to listen to other recordings of it\u2026 I think with this song, the words, the music just supports it so well\u2026 \u2018I live alone in my heaven, in my love, in my song.\u2019 I don\u2019t know if it gets better than that.\u201d&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-listen-to-other-episodes-of-on-the-record-with-sarah-kienle\">Listen to other episodes of On The Record with Sarah Kienle:<\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-medium\"><a href=\"https:\/\/www.dallassymphony.org\/on-the-record\/\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"202\" src=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-300x202.jpg\" alt=\"Logo for On the Record hosted by Sarah Kienle\" class=\"wp-image-2981\" srcset=\"https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-300x202.jpg 300w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-1024x689.jpg 1024w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-768x516.jpg 768w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-1536x1033.jpg 1536w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076-16x12.jpg 16w, https:\/\/www.dallassymphony.org\/wp-content\/uploads\/2020\/11\/On-the-record-logo-1600-x-1076.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption><a href=\"https:\/\/www.dallassymphony.org\/on-the-record\/\">more episodes<\/a><\/figcaption><\/figure><\/div>\n\n\n<div class=\"richtext m-spacer\">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-10\">\n\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El bibliotecario principal Mark Wilson reflexiona sobre los recuerdos de su m\u00fasica favorita y revela las complejidades de trabajar en la biblioteca de una orquesta.<\/p>","protected":false},"featured_media":2981,"template":"","class_list":["post-4778","dso_news","type-dso_news","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_news\/4778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_news"}],"about":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/types\/dso_news"}],"version-history":[{"count":0,"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/dso_news\/4778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/media\/2981"}],"wp:attachment":[{"href":"https:\/\/www.dallassymphony.org\/es\/wp-json\/wp\/v2\/media?parent=4778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}